This period reflects a significant shift in scale and perception, shaped by Almosawi’s engagement with the landscape of Banff. The work moves toward a more atmospheric and expansive spatial language, informed by natural phenomena and environmental intensity.

Light becomes a central structural element, particularly through the influence of the Northern Lights, leading to investigations into luminosity, spatial depth, and the threshold between material and immaterial presence. This phase further advances the transition from constructed imagery toward immersive spatial experience.